Margaret holds Jack, a wayward farm cat who now calls her garden in the Catskills home. Margaret is currently working on a new book and updating her website.
You can read the full list of Margaret's March chores at her blog, A Way To Garden, which is currently being redesigned. (I'm excited to see the results!) I've plucked some of her wisdom from her newletter to share here with you:
HOARD CARDBOARD AND NEWSPAPER while you wait, to smother areas for new beds, or thwart weeds under fresh mulch in existing ones.
WHILE INDOOR CHORES such as seed-sowing commence on schedule regardless of weather, outdoor chores sometimes have to wait until April. Caveat emptor: Be sensible and don't muck around in too-wet soil or walk unnecessarily on sodden lawns. Love your soil, and protect it.
YOUR PLANT ORDERS should be in the mail, or headed that way. When things arrive, bare-root woody plants will take priority in planting, so think ahead.
GET YOUR JOURNAL, calendar or notebook ready to record bloom times, timing of tasks, successes and failures, and valuable information from catalogs or seed packets.
TAKE A WALKABOUT (IF AND WHEN): Check to see if mulches are in place or if they've heaved, or if burlap and other protectors have come loose, exposing vulnerable plants. Once soil drains, pull and dig up perennial weeds now, before they get a foothold. After some sunny, dry days, rake snow mold off the lawns.
EMPTY bird boxes of old nests.MUCK OUT WATER GARDENS of fallen leaves and other debris at the earliest opportunity, using a net. Keep an eye out for any tadpoles, newts and salamanders in every heap; return them to their watery hideouts.
CUT DOWN ORNAMENTAL GRASSES before they begin to sprout anew. Cut back old foliage of earliest bloomers like epimediums, or things that emerge fast and would then prevent easy cutback, like tall sedums. Cut back evergreen groundcovers whose leaves will fade when new crop pushes, including epimedium, hellebores, and European ginger (Asarum europaeum).
The article from the March issue of MSL is filled with watercolour imagery of birds. Stan, who is based in Minnesota, sells much of his artwork through the Campbell Steele Art Gallery and you can see several examples of his paintings on his 











This is a very traditional display of English transferware, with emphasis on symmetry and balance. The monochromatic tone of the plates blends beautifully with the neutrals in the room. The look is semi-formal English Country.
An assortment of plates in varrying shapes and sizes emphasizes the height of the wall in this hallway, adding to the dramatic dimensions of the space.
If you've got it, flaunt it! This blue-and-white Chinese porcelain looks extravagant displayed on a King George II style display mirror in a master bedroom. Its tone contrasts beautifully with the pale yellows in the room, adding impact and giving the wall a definite symmetry and focus.
These inexpensive plates bring a bold touch of pattern and colour to a dark teal wall, their bright green hue giving the room a bit of punch. When mixed with framed pictures and three-dimensional wall-hangings the plates act as artwork, as good as any botanical print.
A mix of round blue plates and square tiles arranged in a symmetrical display over a fireplace adds a subtle touch of formality to this otherwise casual country living room. The blend of shapes and patterns adds interest.
A wall-mounted wooden dish rack plays host to a collection of solid green and white plates. The spare use of pattern, the mix of sizes and shapes, and the one lone blue plate give the vignette a calming, minimalist feel with a quirky edge.
Bring a three dimensional look to the display of hanging plates by mounting them on blocks of wood. Cut small blocks of wood in varrying depths (so that a multi-level effect is attained) and then screw blocks of wood into the wall. Glue the plates on so that an overlapping look is created. Use only inexpensive, decorative plates for this since you are unlikely to unstick them from their wood blocks. Above, the shapes and patterns are mixed, which adds to the 3D effect, but the palette is monochromatic.
The same three-dimensional technique was used here, but the patterns, colours and sizes are wildly different, giving a bright, vibrant collage effect.























