12.26.2012

Weekend at the Waldorf

A couple weeks ago I had the great fortune of staying at the Waldorf Astoria hotel in New York City with my family. The hotel is one of the most historic buildings in Manhattan and certainly one of the most glamorous hotels in the United States. It was the most luxurious place I've ever stayed. Guests here have included every president of the United States since 1931, English royalty and numerous celebrities. Cole Porter had a room here and was so enamoured of the place that he donated his hand-painted Steinway piano to the hotel. It still sits in the Peacock Lounge today. Below is a history of the hotel and some of my photographs.
A sketch of the original Waldorf Hotel on Fifth Avenue as it appeared in the 1890s, on the left. The current hotel on Park Avenue is shown on the right. It remains one of the largest luxury hotels in Manhattan today.

The Waldorf Astoria on Park Avenue was designed by architects Shultze and Weaver in 1931 but the legacy of the hotel dates back to the late 1800s when two feuding cousins, John Jacob-Astor IV and William Waldorf-Astor, two of New York's wealthiest gentelmen, attempted to out-do each other by building the country's most luxurious hotel. The Waldorf Hotel (built by William Waldorf-Astor in 1893) was 13 stories high, making it the tallest hotel in the world at the time. Not to be outdone, his jealous cousin, John Jacob Astor IV, built the Astor Hotel directly adjacent to the Waldorf, four stories higher in 1897. The hotels were eventually joined by a large corridor and re-Christened as one hotel, the Waldorf=Astoria. The original hotel was located on Fifth Avenue but in 1929 it was closed, after decades of hosting distinguished visitors from around the world. This paved the way for a reincarnation 15 blocks north on Park Avenue. The current hotel opened on October 1, 1931 as the world’s largest and tallest hotel, a veritable city-within-a-city. Today it remains one of the world’s largest Art Deco buildings and the Waldorf=Astoria continues to be one of the city’s most beloved – and utilized – institutions.  Below are some photographs I took of the hotel. I was especially dazzled by the beautiful chandeliers, many of which are made with Waterford crystal.
This is the main Park Avenue lobby of the Waldorf. It was recently redesigned to mimic its original state. This is how the room appeared when the hotel opened in 1931. Part of the renovation included the removal of the enormous chandelier that once hung from the center of the ceiling. It was sold to a private buyer in New Jersey. You will notice the beautiful mosaic floor. The center circle depicts an image of the six stages of life (birth, childhood, adolecense, adulthood, old age and death) using over 145,000 small tiles.
Another part of the renovation included removing the cocktail bar that used to be located on the left where the piano lounge now sits. On the right, the cocktail deck was removed to expose the windows over the main entrance.
A massive wreath was hung over the main doors for the holidays.
The corridor that linked the two original hotels on Fifth Avenue was recreated in the new Park Avenue location and named "Peacock Alley" after the high-society women who would parade between hotels preening themselves in their finery. The corridor joins the lobby of the Park Avenue hotel with the Waldorf Towers, a luxury residence. The clock shown above was a gift to the hotel from Queen Victoria. The Statue of Liberty pinacle was added later by the hotel's owners, much to the chagrin of the Brits. You will notice all of the beautiful Art Deco details on the ceiling and the massive marble columns. One must always look up at the Waldorf!
This incredible chandelier is located in the Grand Ballroom - a four-story room with the most beautiful details. The crystal on this chandelier is Waterford. Again, notice the glorious Art Deco patterns on the ceiling.
Another view of the chandelier and the massive ballroom, with its row of balconies.
Even the corridors are decked with gold-plating and beautiful architectural details.
This feather-motif chandelier was one of my favourites. It is hung outside the entrance to the Starlight Room, a large ballroom used for weddings and events.
Beautiful Art Deco details inside the Starlight Room abound, including the large wooden 'screen' that covers the lighting on the ceiling. The lighting can change colours from warm pinks to cool blues, reflecting the tones of a setting sun.
One of the staterooms features this glorious chandelier!
The architects recreated the Hall of Mirrors at Versailles at the Waldorf. This corridor is called the Silver Corridor, lined with mirrors and silver-leaf trim.
The chandeliers are miniature replicas of the chandeliers at Versailles.
At the end of the Silver Corridor is this magnificent ballroom with hand-painted medallions on the ceilings.
Details in our room: the W.A. logo on our leather ice bucket, damask wallpaper and gold mirrors.
If you ever get the chance to stay at the Waldorf, you are in for some serious pampering! Even if you never stay there, I would suggest taking a guided tour of the hotel if you visit the city. Anyone interested in Manhattan history, Art Deco architecture or interior design will adore the tour. Tours begin at $10 and last for one hour, with access to all the ballrooms.
Just a block away from the hotel was the beautiful Rockefeller Center, all done up for the holidays.

12.22.2012

Christmas Decor at Cantitoe Corners

Hopefully everyone who reads Martha Moments also reads The Martha Blog. It really is the one source for all of the activities Martha is personally taking part in - around the farm, around the office and around the world! Lately, she's been blogging about her holiday décor and celebrations. I have viewed those photos so many times in the last couple of days. They are truly inspiring. I've gathered some of my favourites below, an assembly of photos from this year and years past, which I've arranged by room. The Green Room, the formal parlor in Martha's Winter House, is a study in symmetry and Scandinavian order with monochromic groupings of ornaments on beautiful feather trees. The Brown Room, a large room off the kitchen that is used for entertaining, is more whimsical and woodsy but still reflects Martha's love of Nordic Christmas themes. The Summer House, which is located just across the lane from the Winter House, is where Martha stores her vast collection of books and frequently entertains. Here, gold and brown tones unite to create a warm, festive palette that complements the pale ocre walls and deep wood floors. I loved the photos so much, I felt an urge to repost them here. Please visit The Martha Blog for many more holiday photos of Cantitoe Corners. (Photos below by Martha Stewart and Philip Leaman.)
 
THE GREEN ROOM:
THE BROWN ROOM:
THE SUMMER HOUSE:

 


12.12.2012

Looking Back to Move Forward: Vol. 12 (December)

In her letter to readers in the March, 2012, issue of the magazine, Martha Stewart Living editor-in-chief Pilar Guzman makes an intriguing comment about looking back to former issues of the magazine in order to move forward. She writes: "...we will feature images on this page that inspire us from the magazine's archives. Sometimes it's important to look back in order to move forward." As a longtime subscriber, I felt like playing along! All year I have been raiding the archives each month to showcase my favourite issue. Here is my selection for December.
MY FAVOURITE DECEMBER ISSUE: 2000
Wow! I can't believe this is the last entry of my monthly Looking Back column. Where did the year go? Hopefully you have enjoyed the strolls down Martha's Memory Lane and have gained a bit of insight into the magazine I still call my favourite. This is my last entry until late next week. I am headed to New York City for a Christmas vacation and will return with plenty of photos to share. In the meantime, please explore the blog's various highlights or read my past Looking Back columns. Below is my analysis of why the December, 2000, issue is the best of the best.

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Maybe it was millennium fever, or perhaps it was that Martha Stewart Living Omnimedia was riding high on its recent public offering, but the December, 2000, issue of Martha Stewart Living magazine is a touchstone of holiday elegance. Thicker than many soft-cover books, the issue is jam-packed with Christmas inspiration that weaves a picture of understated, sophisticated holiday magic. Every page is a tribute to the very philosophy of inspiration. Subjects in the issue include making shortbread 17 ways, variations on the traditional fruit cake, caring for and displaying christmas cactus, handmade decorations, the history of punch bowls, and a grand dinner at one of Martha's favourite New York City restaurants. The centerpiece of the entire issue, however, is the deeply-inspired editorial spread based on the lyrics to the holiday classic, I'm Dreaming of a White Christmas. The editors bring page after page of their elegant interpretation of white at Christmastime, through beautifully-styled imagery of Christmas trees, holiday tablesettings, crafts and recipes. The entire oeuvre comes together to create a Christmas volume of treasured ideas that is truly magical. Below are images from that issue.

RUNNERS-UP

The December issue of Martha Stewart Living is usually the annual favourite for readers. This is why it was so hard to pick just one issue for this month. I've chosen six more issues that are certainly worth seeking out. If you have these six below, plus the aforementioned 2000 issue, you have the very best of Martha Stewart Living's December issues.
Top to Bottom, Left to Right: The December, 1991, issue of Martha Stewart Living was the first real Christmas issue, not counting the first test issue of the magazine. December, 1998, takes us to Skylands where Martha and her family celebrate the holidays in a woodsy way. December, 2001, heralds a golden touch at Turkey Hill with additional stories on regional holiday menus, red damask and dreidels. Decmeber, 2002, celebrates the holidays Victorian style with handmade decorations and festive menus. December, 2006, is all about vintage ornaments, holiday buffets, tree-trimming and glorious greenery. December, 2008, takes us to Martha's home in Bedford for Christmas carols. There are beautiful clip-art templates in this issue and excellent cookie recipes.