12.31.2012

New Year. New Look. New Focus.

When I sat down this morning to reflect on the year that was at Martha Stewart Living Omnimedia, I felt a little overwhelmed, as though I had been hit over the head with a rolled-up magazine. I’m a great believer in change and progress but the shifts that have taken place at Martha Stewart Living over the last year have been difficult to take, at least from my perspective. Indeed, it is only when you really start to tally up the losses that occured in 2012 that the magnitude of change truly becomes apparent.

The cancellation of all Martha Stewart television programming on the Hallmark Channel, including the award-winning Martha Stewart Show (and the loss of the studio where it was filmed) represented the first tide of disappointment for many fans of the Martha Stewart brand. More recently, it was the announcement that Everyday Food would cease publiation as a stand-alone magazine - a popular read for nearly ten years – and would become a periodical supplement issued five times a year. This sad news came the same day it was announced that Whole Living magazine – a health and lifestye publication Martha Stewart Living had acquired in 2005 – would also be shut down.

In December, the resignation of Gael Towey, the company’s chief creative and editorial director, came as a huge shock to many. It represents an enormous loss of talent to the company, and as a fan of the brand, her departure certainly gives me cause for concern. Towey had been instrumental in rendering the company’s creative design principles through all its media since its inception in the early 1990s. Her loss will definitely be felt.

Other long-time talents, such as collecting editor Fritz Karch, publication designer James Dunlinson and decorating editor Rebecca Robertson, have also left the company, quietly slipping under the radar.

Finally, Lisa Gersh, the company’s CEO, announced just last week that she is resigning once a replacement has been found for her. Gersh was not able to bring the company to profitability, despite aggressive cuts and deals with new partners. (Gersh is the fifth CEO to leave MSLO in a decade.)

On top of these changes, the company is facing a problematic lawsuit from one of its longterm partners, Macy’s. It is alleged that MSLO violated its contract with the retailer by signing a new merchandising agreement with one of its rivals, JC Penney. The lawsuit is currently before the courts even as the new Martha Stewart line of home goods is set to roll out at JC Penney later this month.

How all of this change and turmoil has affected the morale of fans of the Martha Stewart brand cannot be adequately expressed without first discussing the path the company has identified as its new course. Compiling the sentiments expressed in numerous interviews with Martha Stewart executives and the company’s press releases, it seems clear that Martha Stewart Living Omnimedia intends to become a company more focused on merchandising than content. This aim has already been reflected in the company’s decision to shut down two of its magazines while simultaneously touting new digital platforms and launching a new product line with JC Penney.   

Martha Stewart fans love the glitter, the kitchen products and crafts supplies. Yes, we love the furniture, the paint, the kitchen and bathroom hardware. But all of it is just ‘stuff’ stuck with a pretty round logo without a soul to support it. And that brings me to how we, as fans, are feeling about the Martha Stewart brand as a whole. I can perhaps sum it up with one probing question: “Who stole the soul of Martha Stewart Living and how can we get it back?”

Remnants of the soulfulness that first enchanted me still exist within the brand. I’ve seen it glimmering in Martha’s eyes on her wonderful PBS series, Martha Stewart’s Cooking School, a how-to program that was enthusiastically embraced by fans and critics alike. I’ve seen it sparkling on the crafts and cookies Martha shared with us from her kitchen in Bedford on her web series, Countdown to Christmas – another beautiful television supplement reminiscent of her television program from the 1990s.

I’ve seen it, too, in the pages of Martha Stewart Living magazine, although with less verve than I’ve seen in past issues. Features on make-up, clothing and skincare do not resonate with me as a reader, perhaps because I am male and not representative of the target market of 20-to-30-something females, but more likely because I am not a fan of advertising disguised as content. (A feature extolling the virtues of Botox in the April, 2012, issue nearly did me in.) Consistent product placement turns me off, especially in a magazine that began as a do-it-yourself, how-to guide that championed good taste, quality craftsmanship and carefully-curated style. I will not go so far to say that the magazine has ‘lost its soul’ because much of the content still inspires me, through photographs and ideas, but I do not sit with Living as long as I used to and I care less about whether or not these newer issues become damaged or dogeared. There is something missing, something off.

I have not ruled out the possibility that my tastes have changed, as well. I have been exposed to many beautiful publications that have emerged in 2012, magazines that remind me why I love magazines in the first place: Gather Journal, Kinfolk, Anthology, Uppercase, Sweet Paul, Pure Green and Lone Wolf. These are artful, beautiful lifestyle quarterlies that reflect my interest in editorial quality and I am willing to pay more to read them.  The paper they use for print is beautiful. The photography is stunning. The writing is thoughtful and eloquent and the design is modern. In short, the creators have invested true passion into their publications and it is evident in the pages.

Recently, financial news website 24/7 Wall Street predicted that Martha Stewart Living magazine will cease publication in 2013, and other analysts seem to agree that in order to survive, Martha’s company may have to shutter its flagship publication in order to cut costs and achieve profitability.

What Wall Street analysts don’t seem to understand (shockingly!) is that more than anything, a company like Martha’s requires a vision, a sense of passion and a sense of duty. That’s how MSLO began and that’s why I fell in love with the company all those years ago. This vision and the entire crux of the Martha Stewart ideal is cradled in the pages of that magazine. Shut it down and you permanently eclipse the very life the magazine’s title encourages.

Year after year Martha Stewart’s vision is being chipped away with shrewd terms like “cost-cutting measures” and “layoffs.” High rates of employee turnover at the company, from the executive level down, reflect a corporate culture in deep turmoil and conflict, one that cannot seem to reconcile its mandate with its deep desire to make money.

Fans and readers, viewers and listeners want Martha Stewart Living to be successful. I want to see it thrive. I want to see it grow and prosper and develop. But when it comes right down to it, all that Martha Stewart’s readers and fans truly want is to be respected enough to be given the quality content and merchandise we expect from a name like Martha Stewart.

We, your bread and butter (and I am speaking now to the Martha Stewart powers that be) do not care about profit margins and bar graphs. We don’t care about ad sales. We just want to be inspired, to be dazzled and gobsmacked by the content you produce. We want to admire and adore the people who create it just as we want them to be inspired by our lives and our passions. We want beautiful things for our home made of quality materials, items that reflect a modern sensibility with traditional roots and great design. So, in the immortal words of Tim Gunn, “Make it work.” Figure out how to give us what we want and need and treat us longtime supporters and customers with the respect we have earned. Tough love, perhaps, but love nonetheless.
I designed these covers, above, to prove to myself that Martha Stewart Living could be a beautiful quarterly or bi-monthly magazine, should the magazine decide to downsize its operations. I "Kinfolked" the design and brought the Martha Stewart logo to the fore. Four issues would focus on a given season. The other two issues would be devoted to entertaining and Holiday. 
 
CELEBRATING THE GOOD THINGS
Now that I have that off my chest, I can tell you about what I want Martha Moments to become in 2013. This last year was a banner year for this blog, which saw a drastic increase in traffic over previous years. Fellow bloggers have linked to and highlighted Martha Moments on their blogs while digital magazines, such as Lonny and Sweet Paul, have also taken notice. I’m pleased and proud that the work I have done on this blog – completely independent of any support or encouragement from Martha Stewart Living, I must add – has been impressive to many of the blogs and magazines I admire.

One of the most popular Martha Moments columns was “Looking Back to Move Forward” – my monthly tribute to a former issue of Martha Stewart Living magazine that I cherish and find influential to this day. Readers have also come to rely on Martha Moments for news about Martha Stewart’s products, books and magazines, which I’ve always tried to provide by ‘mining’ the web for information and collecting it here for future reference. I have also enjoyed writing posts about the domestic subjects and special people who represent, in some way, the essence of what Martha Stewart stands for: entrepreneurship, artistry, design, excellence and domestic pride. Posts about people making their own mark in the sphere of lifestyle content, the same way Martha did all those years ago, keep me inspired and interested in how the culture of ‘living’ is shifting and evolving. So many of these artists, designers and writers owe so much to Martha’s groundbreaking efforts in the field, no matter how indirectly. This is a point that is never lost on me, which is why they are their own shining example of a Martha Moment made real. Most of all, I’m honoured that my opinion and perspective has mattered to the thousands of people who visit Martha Moments every day from all over the world.

So, 2013, will focus more on the things I love about Martha Stewart. If I don’t love it, I’m not going to write about it. The frequency of the posts here will be in direct proportion to how inspired I am (or am not) by Martha Stewart Living and its offerings.  I intend to continue to consider Martha’s entire oeuvre (spanning two decades) and to dig stuff out of the archives to highlight here, articulating all the things I have fallen in love with over the years. Whether it’s a single photograph from one of her magazines, an article, a book, a television episode or a room in one of Martha’s houses, I will make a Martha Moment out of it.

Curated. That’s my buzz word for 2013. Thank you all for taking the time to read this and I wish you all a very Happy New Year.

12.26.2012

Weekend at the Waldorf

A couple weeks ago I had the great fortune of staying at the Waldorf Astoria hotel in New York City with my family. The hotel is one of the most historic buildings in Manhattan and certainly one of the most glamorous hotels in the United States. It was the most luxurious place I've ever stayed. Guests here have included every president of the United States since 1931, English royalty and numerous celebrities. Cole Porter had a room here and was so enamoured of the place that he donated his hand-painted Steinway piano to the hotel. It still sits in the Peacock Lounge today. Below is a history of the hotel and some of my photographs.
A sketch of the original Waldorf Hotel on Fifth Avenue as it appeared in the 1890s, on the left. The current hotel on Park Avenue is shown on the right. It remains one of the largest luxury hotels in Manhattan today.

The Waldorf Astoria on Park Avenue was designed by architects Shultze and Weaver in 1931 but the legacy of the hotel dates back to the late 1800s when two feuding cousins, John Jacob-Astor IV and William Waldorf-Astor, two of New York's wealthiest gentelmen, attempted to out-do each other by building the country's most luxurious hotel. The Waldorf Hotel (built by William Waldorf-Astor in 1893) was 13 stories high, making it the tallest hotel in the world at the time. Not to be outdone, his jealous cousin, John Jacob Astor IV, built the Astor Hotel directly adjacent to the Waldorf, four stories higher in 1897. The hotels were eventually joined by a large corridor and re-Christened as one hotel, the Waldorf=Astoria. The original hotel was located on Fifth Avenue but in 1929 it was closed, after decades of hosting distinguished visitors from around the world. This paved the way for a reincarnation 15 blocks north on Park Avenue. The current hotel opened on October 1, 1931 as the world’s largest and tallest hotel, a veritable city-within-a-city. Today it remains one of the world’s largest Art Deco buildings and the Waldorf=Astoria continues to be one of the city’s most beloved – and utilized – institutions.  Below are some photographs I took of the hotel. I was especially dazzled by the beautiful chandeliers, many of which are made with Waterford crystal.
This is the main Park Avenue lobby of the Waldorf. It was recently redesigned to mimic its original state. This is how the room appeared when the hotel opened in 1931. Part of the renovation included the removal of the enormous chandelier that once hung from the center of the ceiling. It was sold to a private buyer in New Jersey. You will notice the beautiful mosaic floor. The center circle depicts an image of the six stages of life (birth, childhood, adolecense, adulthood, old age and death) using over 145,000 small tiles.
Another part of the renovation included removing the cocktail bar that used to be located on the left where the piano lounge now sits. On the right, the cocktail deck was removed to expose the windows over the main entrance.
A massive wreath was hung over the main doors for the holidays.
The corridor that linked the two original hotels on Fifth Avenue was recreated in the new Park Avenue location and named "Peacock Alley" after the high-society women who would parade between hotels preening themselves in their finery. The corridor joins the lobby of the Park Avenue hotel with the Waldorf Towers, a luxury residence. The clock shown above was a gift to the hotel from Queen Victoria. The Statue of Liberty pinacle was added later by the hotel's owners, much to the chagrin of the Brits. You will notice all of the beautiful Art Deco details on the ceiling and the massive marble columns. One must always look up at the Waldorf!
This incredible chandelier is located in the Grand Ballroom - a four-story room with the most beautiful details. The crystal on this chandelier is Waterford. Again, notice the glorious Art Deco patterns on the ceiling.
Another view of the chandelier and the massive ballroom, with its row of balconies.
Even the corridors are decked with gold-plating and beautiful architectural details.
This feather-motif chandelier was one of my favourites. It is hung outside the entrance to the Starlight Room, a large ballroom used for weddings and events.
Beautiful Art Deco details inside the Starlight Room abound, including the large wooden 'screen' that covers the lighting on the ceiling. The lighting can change colours from warm pinks to cool blues, reflecting the tones of a setting sun.
One of the staterooms features this glorious chandelier!
The architects recreated the Hall of Mirrors at Versailles at the Waldorf. This corridor is called the Silver Corridor, lined with mirrors and silver-leaf trim.
The chandeliers are miniature replicas of the chandeliers at Versailles.
At the end of the Silver Corridor is this magnificent ballroom with hand-painted medallions on the ceilings.
Details in our room: the W.A. logo on our leather ice bucket, damask wallpaper and gold mirrors.
If you ever get the chance to stay at the Waldorf, you are in for some serious pampering! Even if you never stay there, I would suggest taking a guided tour of the hotel if you visit the city. Anyone interested in Manhattan history, Art Deco architecture or interior design will adore the tour. Tours begin at $10 and last for one hour, with access to all the ballrooms.
Just a block away from the hotel was the beautiful Rockefeller Center, all done up for the holidays.

12.22.2012

Christmas Decor at Cantitoe Corners

Hopefully everyone who reads Martha Moments also reads The Martha Blog. It really is the one source for all of the activities Martha is personally taking part in - around the farm, around the office and around the world! Lately, she's been blogging about her holiday décor and celebrations. I have viewed those photos so many times in the last couple of days. They are truly inspiring. I've gathered some of my favourites below, an assembly of photos from this year and years past, which I've arranged by room. The Green Room, the formal parlor in Martha's Winter House, is a study in symmetry and Scandinavian order with monochromic groupings of ornaments on beautiful feather trees. The Brown Room, a large room off the kitchen that is used for entertaining, is more whimsical and woodsy but still reflects Martha's love of Nordic Christmas themes. The Summer House, which is located just across the lane from the Winter House, is where Martha stores her vast collection of books and frequently entertains. Here, gold and brown tones unite to create a warm, festive palette that complements the pale ocre walls and deep wood floors. I loved the photos so much, I felt an urge to repost them here. Please visit The Martha Blog for many more holiday photos of Cantitoe Corners. (Photos below by Martha Stewart and Philip Leaman.)
 
THE GREEN ROOM:
THE BROWN ROOM:
THE SUMMER HOUSE:

 


12.12.2012

Looking Back to Move Forward: Vol. 12 (December)

In her letter to readers in the March, 2012, issue of the magazine, Martha Stewart Living editor-in-chief Pilar Guzman makes an intriguing comment about looking back to former issues of the magazine in order to move forward. She writes: "...we will feature images on this page that inspire us from the magazine's archives. Sometimes it's important to look back in order to move forward." As a longtime subscriber, I felt like playing along! All year I have been raiding the archives each month to showcase my favourite issue. Here is my selection for December.
MY FAVOURITE DECEMBER ISSUE: 2000
Wow! I can't believe this is the last entry of my monthly Looking Back column. Where did the year go? Hopefully you have enjoyed the strolls down Martha's Memory Lane and have gained a bit of insight into the magazine I still call my favourite. This is my last entry until late next week. I am headed to New York City for a Christmas vacation and will return with plenty of photos to share. In the meantime, please explore the blog's various highlights or read my past Looking Back columns. Below is my analysis of why the December, 2000, issue is the best of the best.

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Maybe it was millennium fever, or perhaps it was that Martha Stewart Living Omnimedia was riding high on its recent public offering, but the December, 2000, issue of Martha Stewart Living magazine is a touchstone of holiday elegance. Thicker than many soft-cover books, the issue is jam-packed with Christmas inspiration that weaves a picture of understated, sophisticated holiday magic. Every page is a tribute to the very philosophy of inspiration. Subjects in the issue include making shortbread 17 ways, variations on the traditional fruit cake, caring for and displaying christmas cactus, handmade decorations, the history of punch bowls, and a grand dinner at one of Martha's favourite New York City restaurants. The centerpiece of the entire issue, however, is the deeply-inspired editorial spread based on the lyrics to the holiday classic, I'm Dreaming of a White Christmas. The editors bring page after page of their elegant interpretation of white at Christmastime, through beautifully-styled imagery of Christmas trees, holiday tablesettings, crafts and recipes. The entire oeuvre comes together to create a Christmas volume of treasured ideas that is truly magical. Below are images from that issue.

RUNNERS-UP

The December issue of Martha Stewart Living is usually the annual favourite for readers. This is why it was so hard to pick just one issue for this month. I've chosen six more issues that are certainly worth seeking out. If you have these six below, plus the aforementioned 2000 issue, you have the very best of Martha Stewart Living's December issues.
Top to Bottom, Left to Right: The December, 1991, issue of Martha Stewart Living was the first real Christmas issue, not counting the first test issue of the magazine. December, 1998, takes us to Skylands where Martha and her family celebrate the holidays in a woodsy way. December, 2001, heralds a golden touch at Turkey Hill with additional stories on regional holiday menus, red damask and dreidels. Decmeber, 2002, celebrates the holidays Victorian style with handmade decorations and festive menus. December, 2006, is all about vintage ornaments, holiday buffets, tree-trimming and glorious greenery. December, 2008, takes us to Martha's home in Bedford for Christmas carols. There are beautiful clip-art templates in this issue and excellent cookie recipes.